my concept revolved around the perception of light, particularly at night; wearing glasses, glare and reflection are a part of my everyday life, and I found it interesting to push recognizable shapes into abstraction.
below are a series of iterations that this album artwork went through; although none of the changes may seem too radical; trying to balance the light sources across the different blending layers proved to be a difficult process, although it was very rewarding to experiment with it. I created a streak of light and played with layering it over the first image I had come up with, and it ended up being very interesting, although potentially overpowering. However, that seemed to work with my concept, as I feel that the way light is generated and perceived is very reflective of human activity. the final image was not notably different from the earlier drafts, but I found that in this case subtlety was more effective, and that I didn't want to stray too far from the original composition I had created. I also adopted the aspect ratio from the original square composition of an album art to something with a little more interest.
I have tried to narrow down my concept to a recent experience; for my birthday, my girlfriend & I spent the day in asheville, wandering without any real purpose from one coffee shop to the next. Later that night, we went to an electronic show at the orange peel. I wanted to try to capture the narrative of two people interacting over the course of a day, and somehow condense that into one image. I would still like to incorporate a more defined image amongst the atmosphere I've managed to create thus far, and likely will incorporate a cup of coffee in some way, as that seemingly mundane routine is in fact a vehicle for people to come together. The nature of memories, especially my own, seems to be shrouded in a fog of ambiguity, particularly as I forget various specifics about an event in favor of holding onto the essence of what made it so important. As such, I want to find the balance between recognizable forms and ambiguous textures in my image. ...
As I proceeded throughout this process, I came to find that removing all recognizable elements of Marilyn created the images that most interested me. Perhaps it was the fact that only I would know the fact that these images were sourced from an image of Marilyn Monroe that made them that much more successful; because I know the source material, the images retain an intrinsic value that others may not see until it is explicitly stated. For this reason, an uninformed viewer is forced to simply react to the information on the page, without any preconceived opinion or bias to sway their reaction to the piece; rather, they will see the composition by itself, without any predetermined thoughts.
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